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謝杰廷 助理教授
職稱 助理教授
校內分機 29387220
類別 專任
  • 謝杰廷*, 2007, '聽見1933年的「跳舞時代」 : 以敘事的時間性探論臺灣日治時期現代機械與技術的意涵, ' 台灣音樂研究, Vol.4, pp.39-54.(*為通訊作者)
  • Hsieh Chieh-ting*, 2021.09, 'Sinogram: Writing of Ancient China with Modern Dance, ' ICAS Conference 2021, Kyoto Seika University.(*為通訊作者)
  • Hsieh Chieh-ting*;Chung Yu-feng, 2021.06, 'The Unnotated Beat: On the Emergence of the Rhythm, ' Transtraditional Istanbul Conference 2021, Istanbul Technology University.(*為通訊作者)
  • 謝杰廷*, 2020.12, '動—物—慾:在現代舞蹈的情慾之間, ' 2020台灣美術雙年展論壇, 國立臺灣美術館.(*為通訊作者)
  • 謝杰廷*, 2019, 'The Performing Writing: Some Reflections on the Writings of Ch’i in the Contemporary Dance, ' Between Institution and Intoxication, University of Amsterdam.(*為通訊作者)
  • 謝杰廷*, 2018, 'Figuration under the Forces: On the Rhythm in the Chinese Traditional Music, ' Mind Wandering and Visual Mental Imagery in Music, Humbolt Universität zu Berlin.(*為通訊作者)
  • 謝杰廷*, 2018, 'Figure of Force: The Concept and (Non-)Notation of Rhythm in the Chinese Traditional Nan-kuan Music, ' Material Cultures of Music Notation, Utrecht University.(*為通訊作者)
  • 謝杰廷*, 2017, 'Dance as the Figure of Music: The Dynamics of Nan-kuan Music and Dance in Chen Mei-e’s Work, ' 44th World Conference of International Council for the Traditional Music, University of Limerick.(*為通訊作者)
  • 謝杰廷*, 2017, 'Weight of Time: The Empathic Perception of the Rhythm of Chinese Traditional Nan-kuan Music, ' 20th Congress of the International Musicological Society, Tokyo University of the Arts.(*為通訊作者)
  • 謝杰廷*, 2016, 'Sense of Rhythm, Sense of Weight: The Empathic Perception of the Dynamics of Chinese Traditional Nan-kuan Music, ' International Symposium of the International Council for Traditional Music, Musics of East Asia Study Group, 中央研究院.(*為通訊作者)
  • 謝杰廷*, 2016, 'Citation of Imagery: Chen Mei-e’s Representation of the Chinese Ancient Dance-Music Scenes, ' CORD (Congress on Research in Dance) and SDHS (Society of Dance History Scholars) Conference, Pomona College.(*為通訊作者)
  • 謝杰廷*, 2020.11, ''Perform me!' On Notation as Writing and the Endless Interpretations, ' Score: Moving from “Art as Method” toward “ALIA as Method”, Taipei National University of the Arts, pp.unnumbered.(*為通訊作者)
  • 謝杰廷*, 2017, 'Trace of Force: Lin Hwai-min’s Water Stains on the Wall, ' Klänge in Bewegung: Spurensuchen in Choreographie und Performance, Transcript, pp.175-181.(*為通訊作者)
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