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專任老師

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專任老師

謝杰廷
謝杰廷 助理教授
職稱 助理教授
直撥電話 67208
校內分機 29387208
電子郵件 khora@nccu.edu.tw
類別 專任
個人著作
期刊論文
  • Hsieh, Chieh-ting*, 2022.12, 'Notation as Diagram: Transnotators, ' Performance Research, Vol.27, No.8, pp.153-157.(SCOPUS)(*為通訊作者)
  • 謝杰廷*, 2007, '聽見1933年的「跳舞時代」 : 以敘事的時間性探論臺灣日治時期現代機械與技術的意涵, ' 台灣音樂研究, Vol.4, pp.39-54.(*為通訊作者)
會議論文
  • 謝杰廷*, 2022.07, 'The Ghost of Writing: On the Correlation between Music Notation and Phonography from the Perspectives of Media and Culture Studies, ' 8th Conference of the Royal Musical Association Music & Philosophy Study Group, The Royal Musical Association Music and Philosophy Study Group.(*為通訊作者)
  • 謝杰廷*, 2022.06, 'The Body That Counts: On the Digital Techniques of the Chinese Modern Dance, ' Classicism in Digital Times Textual Production as Cultural Remembrance in the Sinophone Cyberspace, Harvard University, Goethe University, Lingnan University.(*為通訊作者)
  • 謝杰廷*, 2022.06, 'Notation as the Culture Technique, ' 5th Performance Philosophy Conference, The University of the Arts.(*為通訊作者)
  • Hsieh Chieh-ting*, 2021.08, 'Sinogram: Writing of Ancient China with Modern Dance, ' ICAS Conference 2021, Kyoto Seika University.(*為通訊作者)
  • Hsieh Chieh-ting*;Chung Yu-feng, 2021.06, 'The Unnotated Beat: On the Emergence of the Rhythm, ' Transtraditional Istanbul Conference 2021, Istanbul Technology University.(*為通訊作者)
  • 謝杰廷*, 2020.12, '動—物—慾：在現代舞蹈的情慾之間, ' 2020台灣美術雙年展論壇, 國立臺灣美術館.(*為通訊作者)
  • 謝杰廷*, 2019, 'The Performing Writing: Some Reflections on the Writings of Ch’i in the Contemporary Dance, ' Between Institution and Intoxication, University of Amsterdam.(*為通訊作者)
  • 謝杰廷*, 2018, 'Figuration under the Forces: On the Rhythm in the Chinese Traditional Music, ' Mind Wandering and Visual Mental Imagery in Music, Humbolt Universität zu Berlin.(*為通訊作者)
  • 謝杰廷*, 2018, 'Figure of Force: The Concept and (Non-)Notation of Rhythm in the Chinese Traditional Nan-kuan Music, ' Material Cultures of Music Notation, Utrecht University.(*為通訊作者)
  • 謝杰廷*, 2017, 'Dance as the Figure of Music: The Dynamics of Nan-kuan Music and Dance in Chen Mei-e’s Work, ' 44th World Conference of International Council for the Traditional Music, University of Limerick.(*為通訊作者)
  • 謝杰廷*, 2017, 'Weight of Time: The Empathic Perception of the Rhythm of Chinese Traditional Nan-kuan Music, ' 20th Congress of the International Musicological Society, Tokyo University of the Arts.(*為通訊作者)
  • 謝杰廷*, 2016, 'Sense of Rhythm, Sense of Weight: The Empathic Perception of the Dynamics of Chinese Traditional Nan-kuan Music, ' International Symposium of the International Council for Traditional Music, Musics of East Asia Study Group, 中央研究院.(*為通訊作者)
  • 謝杰廷*, 2016, 'Citation of Imagery: Chen Mei-e’s Representation of the Chinese Ancient Dance-Music Scenes, ' CORD (Congress on Research in Dance) and SDHS (Society of Dance History Scholars) Conference, Pomona College.(*為通訊作者)
專書
  • 謝杰廷*;張芳薇*, 2022.12, '當代展演, ' 當代文本, 台北市立美術館.(*為通訊作者)
專書篇章
  • 謝杰廷*, 2023.09, '身體檔案, ' 當代文本, 台北市立美術館, pp.132-137.(*為通訊作者)
  • Okwui Enwezor;謝杰廷*;王悅*, 2023.09, '檔案熱：在歷史與遺跡之間的攝影, ' 當代文本, 台北市立美術館, pp.175-236.(*為通訊作者)
  • 謝杰廷*;張芳薇*, 2022.12, '導言：當代展演, ' 當代文本, 台北市立美術館, pp.18–23.(*為通訊作者)
  • 謝杰廷*, 2022.12, '離開劇場的當代舞蹈：走出影像的身體, ' 當代文本, 台北市立美術館, pp.98–109.(*為通訊作者)
  • 謝杰廷*, 2020.11, ''Perform me!' On Notation as Writing and the Endless Interpretations, ' Score: Moving from “Art as Method” toward “ALIA as Method”, Taipei National University of the Arts, pp.unnumbered.(*為通訊作者)
  • 謝杰廷*, 2017, 'Trace of Force: Lin Hwai-min’s Water Stains on the Wall, ' Klänge in Bewegung: Spurensuchen in Choreographie und Performance, Transcript, pp.175-181.(*為通訊作者)
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